![]() ![]() It also finds a fitting new villain in Charlize Theron’s Cipher, who replaces Statham’s now-reformed Deckard Shaw. This sequel packs in some great set pieces, from the opening Havana race to the prolonged showdown in icy Russia. But The Fate of the Furious is another solid outing, one that furthers the series’ evolution from car-centric crime drama to full-blown, over-the-top superhero saga. It’s incredibly rare for a Hollywood franchise to even reach eight installments, much less maintain any sort of quality in the process. Part 4: Can We Drop Cars Out of the Sky?.Part 3: Fast Five and Setting a New Standard of the Absurd.Part 2: How Tokyo Drift Shifted the Fast and Furious Franchise’s Action.Part 1: From Boosting DVD Players to Saving the World.The Evolution of Fast and the Furious Car Chases Bonus points for traveling backward in time, as this entry (like the next two films to be released) actually takes place before the events of the third film, Tokyo Drift. Instead of skimping on the characters we came to love in the first film, this one features the triumphant return of Walker, Diesel, Michelle Rodriguez (at least for a little while), and Jordana Brewster. ![]() Once again the plot centers on vehicle-based heists. The fourth film’s streamlined title can be seen as a symbol of its return to the series’ roots. It's a bizarre outlier within the franchise, but on its own merits, Hobbs and Shaw is a breezy quipfest and required viewing if you liked Johnson and Statham's chemistry in Furious 7 and Fate of the Furious. Benefitting from the constant one-upmanship of Dwayne Johnson and Jason Statham, Hobbs and Shaw is a buddy action movie featuring buddies who absolutely hate each other, and similarities to the Fast movies largely end with that crackling dynamic between the actors. ![]() Fast & Furious Presents: Hobbs & Shaw (2019)ĭwayne Johnson and Jason Statham are Hobbs and Shaw!īy the time the Fast & Furious franchise started fiddling with nuclear subs and jumping cars between skyscrapers, testing how a bionically-enhanced supervillain would fit into the world seemed like a no-brainer. Entertaining though it is, F9 raises the question of whether The Fast and the Furious should have called it quits by now. It’s also hard to complain about the return of Sung Kang’s Han, even if that’s another convoluted addition to the series’ soap operatic storyline. On the plus side, this sequel is bigger and more bombastic than ever, including finally delivering on the promise of sending our musclebound heroes into space. Cena is disappointingly flat as the vindictive younger Toretto, and even the copious flashback scenes do little to flesh out that sibling rivalry. F9 puts Dom and his family on the defensive as they face a dual threat in the form of Charlize Theron’s Cipher and John Cena as Dom’s long-lost brother, Jakob Toretto, a plot twist that strains the series’ already convoluted family mythology. F9 may have welcomed back director Justin Lin after sitting out The Fate of the Furious and Hobbs & Shaw, but that wasn’t quite enough to recapture the series’ waning magic in its ninth main installment.
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